teen dance ordinance
No one should aim to dwell too much in the past. But who doesn't love an entertaining ride in the ol' time machine every once in a while? If you set the flux capacitor for 27 years ago right about now, you'd be able to make the grand opening of the Crocodile Cafe (with The Posies and Love Battery on the bill). Looking around Belltown in the Springtime of 1991 might seem delightfully primordial. Or well past prime for those locals who'd grown up going to venues well before the Teen Dance Ordinance starting shutting them down. No one, however, could have foretold that two of the biggest-selling albums of the entire decade (Pearl Jam's Ten released that August and Nirvana's Nevermind in September) would soon come from here. Who wouldn't get a charge out of skipping that rock back to before Seattle largely became an adjective and grunge became a noun in common worldwide usage?
Or what about a trip back to 1989 around the time of "Lame Fest" at The Moore (with Mudhoney, TAD, and Nirvana introducing their first and only Sub Pop album Bleach). Or the turbulent watershed year of 1994 when Seattle's Big 4 (Alice in Chains, Nirvana, Pearl Jam and Soundgarden) all hit #1 on the then-still-important Billboard Album chart. You could easily wear out the dial flipping back and forth between the dates that could showcase Seattle's unlikely rise and evolution as a music City of sizable awesomeness.
As we leap into May, I've got three tours on the calendar, and another 5 scheduled in June. I'll be on the road in July, but then back in August with a prescheduled slate of tours the week of Pearl Jam's "Home Shows" and Sub Pop Records's sure-to-be epic 30th Anniversary Party. Nothing's rock solid, however, since even the most beloved side projects get shelved when the proverbial band gets back together.
This is, nonetheless, a rather long-winded wink wink nudge nudge way to say that there are available spots on my Happy Hour tour this Friday, 5/4, starting at 4pm. As usual, we'll walk an approximately two-mile path through Belltown and finish up at KEXP's Gathering Space in Seattle Center. The many stops along the way make this a two-hour-plus-a-skoch storytelling journey. Tickets are $50/person, although cheaper as pairs or even more so in larger groups. I'll happily reply with timely answers if you lob back questions. Or I'll send along all the logistical details you'll need if you pick out tickets that appeal to you.
In the past month alone, I was been delighted to lead around folks from Germany, Denmark, Scotland, England, New York, Chicago, San Francisco, Los Angeles, Detroit and the Great Pacific Northwest. As always, people ranging from the most casual of music fans to the randomly obsessed lobbed back new insights along the way. Snippets from those conversations and other newly discovered grunge-y gems factor into the storytelling I'll be doing along the way. If you've not yet heard my backstory on this, my love for that era's music developed both prior to and after making my own way out West in 1993. As I like to say (on purpose), "grunge is people." One of these times on this evolving loop around Belltown, I'll figure out just what I mean by that.
But in all seriousness if you're looking for a more tangible sense of what gets covered on my Grunge Redux tours, I've dug deeply for places where the essential music of the mid-1980s through later-1990s was both created and consumed. The course of a few hours gives us time to explore a workable overview of the grunge era in Seattle and beyond. More material will come your way later to inspire additional exploration. I'm happy to proclaim that this ain't no sucky suicide and sadness tour. Although I certainly don't shy away from giving those chapters their due inclusion. I'm just firing up the wayback machine, and hopefully connecting some of the dots you might have missed along the way. With more than a few yucks thrown in. Hopefully.
Whether or not you can make it on a tour, feel free to pass this or future friendly promos along. There are no guarantees of how long I'll be offering this. Passion projects are like that. I'm nonetheless happy to accommodate y'all and any special requests that arise so long as I do.
Regardless, here's hoping we cross paths at a show sometime soon. Be well, and rock on always.